Just as I'm about to pick up this book and remark about how things are really about to take a jump, Joey walks up, barefoot, coveralls, smile n his face--he's seeing what I'm seeing.
What follows after that is a cascade of a events, a slingshot so radical that time is lost, celebrated in the bristling afternoon light, the approach of a world of trees and tree people, and the stories of such and endavor, soil, humus, and the roots that grow there.
We get into his truck, smells like dirt with no power steering, and before we get much chance to talk and get to know one another he's pulled up to an old hitchhiker in a dress, this guy's named brick and he bring plants to court, he's got a lazy eye and starts telling us all about the politics of control and the duty of all to attain freedom--one must get one's laws of one's body, you see.
Before we know it we are winding into the wollumbin hills, volcanic peaks and lush valleys before us, hearing of garden tips to add nutrienct to soil and reclaim CO2, plants that grow on other plants and the Nimbun oneness festival that gave birth to it all.
We drop off Brick at the town market, almost the only official building in the place, and then work our way up into the hills on dirt roads. Joey tells me a story of growing up, his dad showig him the compost pile, asking him to stick his hand into it.
"Feel that?" he said, "that heat is from the soil; It's alive." At that point joey recalls a flood of connections, life and decay, the round and ciclic meandering of energy in this world, the truth of his own death and decomposition, how it would become the roots and trees and rivers, and all that being only six years old at the time.
We arrive at the Mothership: beautiful blue home on the side of a lush sub-tropical hill, a clear view of the afternoon mossy silhouetter of Mount Warning in the background, and the trinkets of a real life scattered about--tea and honey, wicker chairs on the deck, my little pony and guitars and posters on the walls.
Joey starts telling me about bird watching, hos its so much more about the feeling of it, using senses other than the watching that our descriptive language binds us to. His dad would quiet them in the woods and the heard the bird calls, identifying every one, the king parrot we heard, among others. Or how when you'll be walking in the woods you'll suddenly feel like your being watched, and sure enough a three foot tall owl would be in the trees, staring a hole in your body.
We stretch and calm ourselves, let the gold set in the space between our inhales and exhales. I have a fair bit of exhaustion built up from surfing on the coast earlier in the day, and it feels good to open it up and breathe.
Just as we are wrapping up, a van rolls up the hill, and out pour more elves, and their children, arriving home from the seven-year-old's birthday party in the park, excited and full of cake. I get introduced to Josie, mother of one of the young ones with Joey. More tea is had, and the afternoon stretches into evening as we sit on that porch, sharing stories of festivals up north in Cannes and outcroppings and ranbomd beach walks that turn into day long adventures.
Soon Uncle Sam pulls up, he is a long haird grandfather type whose got earrings and runst the institue for inner peace down the road. He's a great sotry teller, they just sort of erupt out of him and jokes as well: "Whats the dirrerence between and egg and a beet-root? You can beat an egg but you cant beat a root."
Josie and I get to talking about her dreams of opening up a teashop next to the natural market they are starting in town. She wants to have a space for healing there, and I ask here if she has the disposition for it. We hold hands for a little while, conducting a little experiment, and with bliss and relaxation we both acknowledge what touch can do--transportive, amazing, and we hardly have time to acknowledge the truth of our experiment before one of the girls is cryng inside because Taz puller her hair, and Joeis, mother-hero, arrives and begins describing to Taz the need for open communication nd being kingd to your playmates.
At the dinner table I learn about local jungle macadamias and how all the water for the house comes from the rain, clean and guaranteed year-round. We are in the sub-tropical rainforest, after all, the loins-town, the den, and these are beautiful people with beautiful dreams, and like the legends they are those who care for the trees, colors buring bright though they may be.